IT WAS ALL a dream. I used to read Mother Earth magazine. Now Paulie Walnuts and Miss Cleb are milkin cream. He hates when the little goat sleeps over, though. He can't stand immature forms of any species; he calls them 'larval rats' or LRs for short.
When the Bird Lady and her Tall Jew came for dinner, they noticed he had put on some weight. After they left I found him in the closet, weeping softly, and I was like, Come on. I thought we were done with that closet shit a long time ago. He won't come out. He's unfit to be seen, &tc. I yank him out by a hind leg and squeeze him into his rubber punishment suit in the hopes we can celebrate his paunch. Instead he takes one look in the mirror and puts a paw gun to his temple.
We talk. He says he really wants to pursue a healthy lifestyle and I try to encourage him. He spends the next forty-eight hours on nothing but legumes and cucumber water proving he means it. Then he crashes, gorges, collapses in a pile of self-loathing.
I prescribe us a night at Easy. We tuck our jeans into our heel boots and he brushes his teeth with a bottle of Jack and we go. He can't but be happy when it's midnight and his fur is drenched in sweat and "Five On It" is playing. I know he won't actually dial any of the numbers he gets. He just craves some talismanic reassurance of his fuckability. For such a handsome cat, he can be most insecure.
The next day he's like, Fuck the club. He'd rather count a million bucks. I explain to him yet again why we couldn't score that inheritance. He says integrity is fine, but a Gucci collar is infinitely better. Also he's through with dieting. Has decided to be a Jabba the Hutt-style rap Dionysus. I ask him how that worked out for Biggie and Pun. He says he's still not a player but I'm still a hater.
I'm sterilizing milk jars and he asks how's Mr. Snuffleupagus. (He means the TS.) I tell him to fuck off because my imaginary friends could kick his virtual friends asses. He swishes off to IM his remote homie Seymour, and soon is cracking up over what they've dubbed 'humanure': shit that only humans think is funny. (Seymour's humom taught him portmanteaus and this is the thanks she gets.)
He's got this diva persona, but he's actually sensitive. He knows when my Pain is bad. He thinks it was imprudent of me to strike out on my own when I can't, like, carry shit. But he doesn't say it out loud. If he said it out loud I could point out his rhetorical error, the implication I should have stayed with Crim so the latter could carry shit. I assure him that the bonus-bling hooptie is on the way and, as soon as it starts and I remember how to drive stick, I'm up for ease of groceries and he's up for a puke-erific ride culminating in a rabies shot. He can't wait.
And actually, he does understand. He's like, Freedom isn't free. We get to reminiscing on his Log Cabin Republican days.
In literal terms, we are making cheese. (Chevre cleanse, twenty days, key to health.) Also practicing our thug love duets. He sucks at memorizing lyrics, so he always gets to be Ashanti. If we're feeling weak we do pushups to "Drop the World." Naturally he gets to be Wayne and I have to be Em. After that he's fired up and wants to stay out all night 'hunting,' which in his case should rightfully be called 'hunching in a vigilant pose by the coop.' It's seemingly meek Carmela who actually earns her barn cat keep.
He says he's finally figured out why I like rap so much. Because it's pretty words and it's about struggle. He says even when it's about money-cars-clothes-hoes it's really about struggle. I tell him that's pretty insightful. For a cat. He gives me the middle claw.
He likes seeing me at my writing desk, but he can't quite be supportive. He feels obliged to step on the keyboard and point out that writing is not going to provide the bottle-popping lifestyle he's looking for. I tell him I know that but I have to do it anyway. He understands. Write it or die trying. I ask if he'd care for some goat's milk squirted straight from the udder.
Wednesday, April 14, 2010
Thursday, March 25, 2010
Had Gadya
An Only Kid was born in my neighborhood this week. Mazel tov to the proprietors of Indigoat Farm. Soon: goat-milking!
The full birth video is here. Warning: graphic footage.
Thursday, March 11, 2010
Planting
PLANTING IS an act of faith from which I still, in this my ninth gardening season, am incapable of expecting rewards. I look out on the helpless chardlings and meager carrot sprouts and see not overflowing harvest baskets but a multitude of dire ends inspired by the Yom Kippur liturgy: Who by slugs, who by chicken attack, who by leafminers, who by flooding; who shall grow limply without apparent cause, who shall perish when I fail to water.
Nature scatters a thousand seeds that one might reach mature planthood, and gardeners are usually wise to copy Mother. It is in willful defiance of this time-tested evolutionary strategy that we break out the Accelerated Propagation System (APS) seed-starting kits with the special wicking properties and coddle seedlings like infants. But then Nature must chuckle and sigh over many of our human follies.
Among the ambitious seeds currently germinating in my APS kits are tomatoes 'San Marzano' and 'Costoluto Genovese,' and eggplant 'Rosa Bianca.' Because I trust the Italians on flavor. For beauty, I turn to the French. I get obsessed with particular French plant variety names, like 'Comtesse de Bouchard,' a pink clematis I've yet to grow, and 'Merveille des Quatre Saisons,' a red-tinged crisphead lettuce I've grown to marvelous effect, though not in all four seasons.
This spring I've welcomed another longtime French fantasy, 'Cécile Brunner.' I'm a tad embarrassed to admit that Cécile is a rose.
YOU SEE, my favorite gardens look natural, hiding the blood, sweat, tears and APS systems (preferably in a darling greenhouse). And I tend to reserve my toil for edible plants, on whom it is more readily justified. I've sneered at rose gardeners with their dainty shears and ridiculous wide-brimmed hats and elbow-length gloves undefiled by dirt. They pour on the water and chemicals in exchange for some garish splotches of yellow and hot pink that are at once snobbish and uncouth, like the ladies off one of those Real Housewives shows.
Cool gardener that I am, I just scatter a few annual seeds in fall and when I head out for my spring labor at the edibles, there to surprise me is the unassuming beauty of larkspurs, Nigella, cornflowers, Gilia tricolor, and, of course, plenty of California popp
ies to set off all those blues.
This is myth, however. In reality, not even the poppies can be counted upon, and while Gilia is reputed to readily reseed--it's a California native wildflower, after all--spring invariably finds me searching the ground in vain, and then scouring every nursery for those finely-cut leaves that will bear the pale blue and surprisingly complex flowers which are my favorite.
Still, it was quite a leap from $2.99 for Gilia (better get two, sake of symmetry, so $5.98) to $30 for Cécile. She'll demand investments of others kinds as well. Unlike my hippie annuals, she cares about soil type and moisture, will faint at the sight of aphids, expects timely pruning, and hopes for 5-10-10. (Keep hoping, honey.)
My investment in Cécile marks the end of a long awakening process. Roses came to my attention from a gardening perspective when I read Second Nature some years ago. Imaginary Uncle Michael has quite the hard-on for his fifteenth-century vintage 'Maiden's Blush':
Such written rose reveries are common, and I rolled my eyes, quite sure it couldn't happen to me. I was just not that into roses. My easy stereotypes labeled them arrogant and cantankerous. Such cliched beauty--a dozen, red, in a vase. And even if you got past that, to the old-fashioned fragrant climbers, in classy cream whites and pale pinks...well...their attractiveness was so obvious as to be obnoxious.
ANY MAJOR plant acquisition is preceded by an onanistic research phase. That involves some Google image searches, sure, but--garden nerd that I am--I really get off on the fine print. I was keen to learn, for example, that although Cécile is technically a hybrid tea, she is a venerable sort, not the trashy newfangled kind. (Growing the latter invites the scorn of any garden sophisticate.) And while Céciles do grow in bush form, the plant I purchased is the descendant of a 'climbing sport'--a freak of nature who climbed instead of standing still, from whom climbing progeny were then bred.
By the by, the garden pr0n images that please me most are not flowery; they feature army rows of vegetables, diverse but segregated. Whispy carrot row, rotund cabbage row, beets distinguished by their red leaf midribs, slender onion tops in a hectic mass. A spray of sweet peas climbing behind is the sole permissible ornamental flourish.
Anyway. Pretending amnesia for all my nerdlicious study, I then show up at Berkeley Hort and fake an impulse buy. Makes me feel spontaneous.
I aspire to be more like garden guru Pat Lanza, who finds grapevines on sale one spring, buys three when she hasn't space enough for one, plants them nine inches apart (!), and in so doing remarks, "There's something to be said for my kind of blind faith. I rush in and plant while others stew over the what-ifs." From Lanza I also learned about Dreaming & Planning, which is what gardeners do in winter. (I try to instill this concept in my garden class kids, because in their corner of the world some D & P is warranted.)
Of the two, Planning seems vastly more acceptable. Dreaming overmuch is just gross. Whenever I start in picturing how lovely the fence would look draped in rose blooms, how lovely the warm spring air scented with same, I smack myself and consult the Jew Manual, which decrees that such wistfulness be swiftly undercut by gloomy ruminations and self-deprecatory quips.
I PLANTED the rose in what was a sizable wooden container and now passes as a mini cylindrical raised bed. Before its bottom rotted, it contained, for several seemingly successful years, my dwarf Braeburn apple, a plant acquired amid a similar frenzy of earnest research mixed with blind hopes (albeit at a more innocent point in my gardening career), and a plant which, despite my sincere devotions and because of my myriad mistakes, as they say 'failed to thrive.' It did bloom beautifully, and gave me some apples before its decline. But I let the little tree languish, probably for too long.
Cécile will probably perish within weeks herself, says the inner Eeyore. Barring that, she may prove to be a pain in the ass. But then again: ease of cultivation is not a recommendation in and of itself. There are as many easy to grow plants as there are thirsty dudes in the city of Oakland. Doesn't mean you want them seeding in your yard. If you want an easy plant, I've got ten thousand oxalis bulbs for you, free of charge.
While planting I was viscerally reminded that roses also, famously, have thorns. This is quite hostile. One gets resentful, always having to wear those elbow-length gloves. But thorns served their evolutionary purpose, before we humans became the natural selector protectors, and they ought to persist. A rose de-thorned would be wrong. The thorns remind us about something, likely to do with beauty and pain. Seeking the one, encountering the other.
Nature scatters a thousand seeds that one might reach mature planthood, and gardeners are usually wise to copy Mother. It is in willful defiance of this time-tested evolutionary strategy that we break out the Accelerated Propagation System (APS) seed-starting kits with the special wicking properties and coddle seedlings like infants. But then Nature must chuckle and sigh over many of our human follies.
Among the ambitious seeds currently germinating in my APS kits are tomatoes 'San Marzano' and 'Costoluto Genovese,' and eggplant 'Rosa Bianca.' Because I trust the Italians on flavor. For beauty, I turn to the French. I get obsessed with particular French plant variety names, like 'Comtesse de Bouchard,' a pink clematis I've yet to grow, and 'Merveille des Quatre Saisons,' a red-tinged crisphead lettuce I've grown to marvelous effect, though not in all four seasons.This spring I've welcomed another longtime French fantasy, 'Cécile Brunner.' I'm a tad embarrassed to admit that Cécile is a rose.
YOU SEE, my favorite gardens look natural, hiding the blood, sweat, tears and APS systems (preferably in a darling greenhouse). And I tend to reserve my toil for edible plants, on whom it is more readily justified. I've sneered at rose gardeners with their dainty shears and ridiculous wide-brimmed hats and elbow-length gloves undefiled by dirt. They pour on the water and chemicals in exchange for some garish splotches of yellow and hot pink that are at once snobbish and uncouth, like the ladies off one of those Real Housewives shows.
Cool gardener that I am, I just scatter a few annual seeds in fall and when I head out for my spring labor at the edibles, there to surprise me is the unassuming beauty of larkspurs, Nigella, cornflowers, Gilia tricolor, and, of course, plenty of California popp
ies to set off all those blues.This is myth, however. In reality, not even the poppies can be counted upon, and while Gilia is reputed to readily reseed--it's a California native wildflower, after all--spring invariably finds me searching the ground in vain, and then scouring every nursery for those finely-cut leaves that will bear the pale blue and surprisingly complex flowers which are my favorite.
Still, it was quite a leap from $2.99 for Gilia (better get two, sake of symmetry, so $5.98) to $30 for Cécile. She'll demand investments of others kinds as well. Unlike my hippie annuals, she cares about soil type and moisture, will faint at the sight of aphids, expects timely pruning, and hopes for 5-10-10. (Keep hoping, honey.)
My investment in Cécile marks the end of a long awakening process. Roses came to my attention from a gardening perspective when I read Second Nature some years ago. Imaginary Uncle Michael has quite the hard-on for his fifteenth-century vintage 'Maiden's Blush':
Her petals are more loosely arrayed than Madame Hardy's; less done up, almost unbuttoned. Her petals are larger, too, and they flush with the palest pink toward the center, which itself is elusive, concealed in the multiplication of her labial folds.(Yeah. He used to be so cool. Now it's all gastropolitical sermons all the time. I think to distract him we should change the French name for 'Maiden's Blush' from 'Cuisse de Nymphe' to 'Reveille Mouillé de Boomer Chauve.')
Such written rose reveries are common, and I rolled my eyes, quite sure it couldn't happen to me. I was just not that into roses. My easy stereotypes labeled them arrogant and cantankerous. Such cliched beauty--a dozen, red, in a vase. And even if you got past that, to the old-fashioned fragrant climbers, in classy cream whites and pale pinks...well...their attractiveness was so obvious as to be obnoxious.
ANY MAJOR plant acquisition is preceded by an onanistic research phase. That involves some Google image searches, sure, but--garden nerd that I am--I really get off on the fine print. I was keen to learn, for example, that although Cécile is technically a hybrid tea, she is a venerable sort, not the trashy newfangled kind. (Growing the latter invites the scorn of any garden sophisticate.) And while Céciles do grow in bush form, the plant I purchased is the descendant of a 'climbing sport'--a freak of nature who climbed instead of standing still, from whom climbing progeny were then bred.
By the by, the garden pr0n images that please me most are not flowery; they feature army rows of vegetables, diverse but segregated. Whispy carrot row, rotund cabbage row, beets distinguished by their red leaf midribs, slender onion tops in a hectic mass. A spray of sweet peas climbing behind is the sole permissible ornamental flourish.
Anyway. Pretending amnesia for all my nerdlicious study, I then show up at Berkeley Hort and fake an impulse buy. Makes me feel spontaneous.
I aspire to be more like garden guru Pat Lanza, who finds grapevines on sale one spring, buys three when she hasn't space enough for one, plants them nine inches apart (!), and in so doing remarks, "There's something to be said for my kind of blind faith. I rush in and plant while others stew over the what-ifs." From Lanza I also learned about Dreaming & Planning, which is what gardeners do in winter. (I try to instill this concept in my garden class kids, because in their corner of the world some D & P is warranted.)
Of the two, Planning seems vastly more acceptable. Dreaming overmuch is just gross. Whenever I start in picturing how lovely the fence would look draped in rose blooms, how lovely the warm spring air scented with same, I smack myself and consult the Jew Manual, which decrees that such wistfulness be swiftly undercut by gloomy ruminations and self-deprecatory quips.
I PLANTED the rose in what was a sizable wooden container and now passes as a mini cylindrical raised bed. Before its bottom rotted, it contained, for several seemingly successful years, my dwarf Braeburn apple, a plant acquired amid a similar frenzy of earnest research mixed with blind hopes (albeit at a more innocent point in my gardening career), and a plant which, despite my sincere devotions and because of my myriad mistakes, as they say 'failed to thrive.' It did bloom beautifully, and gave me some apples before its decline. But I let the little tree languish, probably for too long.
Cécile will probably perish within weeks herself, says the inner Eeyore. Barring that, she may prove to be a pain in the ass. But then again: ease of cultivation is not a recommendation in and of itself. There are as many easy to grow plants as there are thirsty dudes in the city of Oakland. Doesn't mean you want them seeding in your yard. If you want an easy plant, I've got ten thousand oxalis bulbs for you, free of charge.
While planting I was viscerally reminded that roses also, famously, have thorns. This is quite hostile. One gets resentful, always having to wear those elbow-length gloves. But thorns served their evolutionary purpose, before we humans became the natural selector protectors, and they ought to persist. A rose de-thorned would be wrong. The thorns remind us about something, likely to do with beauty and pain. Seeking the one, encountering the other.Thus far Cécile is contemptuous, or at best inscrutable. My Italian tomatoes are but spindly sprouts. The winter peas have been chewed down by some creature, probably one whom I feed expensive kibbles. The nurseries have no Gilia. I've done a lot of renovations, and it looks bare. But spring is come and the hens are laying and we can all photosynthynthesize again. One ought to be optimistic, even if such is not justified by the facts on the ground.
Monday, February 22, 2010
Quotation for Monday
I still only travel by foot and by foot it's a slow climb
But I'm
Good at being uncomfortable
So I can't stop changing all the time--Fiona Apple thinks little Cleb is an Extraordinary Machine
Thursday, February 4, 2010
Melanie The Incorrigible
MEET MY LATEST BESTIE, Melanie Fiona. She’s Guyanese-Canadian, because in the Obama era hybrid vigor is the new black.Melanie says everyone recognizes the beat from her first single, “Give It To Me Right,” but can't place it, so I’m proud to proclaim that I called the sample—“Time Of The Season”!—right away.
“Give It To Me Right” could be mistaken for a standard radio skank track, and while I think it’s more than that, I also bear no grudge against skank tracks. “Ill Na Na” is way more *empowering* than any India.Arie kandy korn. Or try Cassie’s “Me & U,” which pulls off the ultimate coup of being slutty yet sweet. The trick is maintaining your charm and your halo; Kelis taught me that, and she only charged 99 cents.
I would say “GITMR” manages the same tightrope act, but Andrea Martin, who wrote the song for Mel, declares that it's not about sex. Yeah no of course not. It’s just about like wanting people to keep it real and stuff. (Don’t tell the guys, but such eyelash-batting innocence is part of the trick.)
This introduction may paint Melanie as a sexpot temptress, but that’s just her radio persona. The slightest scratch at the album’s surface reveals the hopeless romantic underneath. “You Stop My Heart” is pure malt shop swoon. It pairs well with my running favorite “Johnny,” a song that is girl groupy (= Cleb catnip) and makes heartbreak sound somehow fun.
SOUL SINGERS are practically the only ones who believe in love these days. We are meant to worship at the altar of the sensible, antiseptic Relationship; that full-cardio arduous, hideous, glorious thing called love is too sloppy and impractical for any adequately-analyzed modern citizen. We speak ruefully of 'partners,' of 'making it work,' and are so wise to the perils of infatuation as to damn near eschew its joys. As diligently as we lecture about the grinding labor a Relationship requires, the A-student could come to view cohabitational partnership as one more over-achiever's trophy, and love as mere irresponsible folly.
It can be jarring, then, to hear naive Melanie singing, I'll walk these streets all night until I bring my baby home. You can just picture her enlightened friends raising one eyebrow, like, Giiirlheainworthit. Because today’s faux-strong woman doesn’t deign lower herself to “Ain’t Misbehavin’” on the happy hand, nor “Black Coffee” on the sad. And then we have the audacity to whine from our impenetrable towers about where have all the Lloyd Doblers gone.
We are comfortable instead in the To the left to the left/Everything you own in a box to the left mold, in which despair curdles straight to vengeful stiletto anger—a move we presumably cribbed from old-fashioned faux-strong men, and the insipid Sex and the City. (And who but ventriloquist dummy Beyonce would sing a song called “Irreplaceable” that means “Replaceable.” Still, I do enjoy singing it with my garden class girls. It’s pretty cute when fifth-graders say, Baby you dropped them keys/Hurry up before your taxi leaves.)
Melanie is also under the woeful misapprehension that hotness and tender-heartedness need not be mutually exclusive. Sorry, Mel: if you're hot you must be an evil temptress. It’s just that simple.
EVEN WHEN THE impression is flawless, it’s boring to replicate the old. Sharon Jones may be good, but she just makes me think, Hey, I could be listening to Mary Wells right now. Melanie--like Amy, like Leela--knows how to engage the authenticity of the classic but make it new. Hence the album's title, The Bridge.
“Johnny” mixes scratching with an American Bandstand sound, and she's dialing on her cellphone begging Johnny to bring her back her heart. (Wow, how contemporary and high-tech!*) “Cry Baby” samples the Vandellas' “Jimmy Mack,” which makes me very happy. It also uses cool distorted vocals and so sounds rather like that old-timey Fergie song "Clumsy," but with the merciful excision of Fergie. And just to flaunt her hybrid vigor, Melanie throws in some reggaeish tracks, and breaks out her Debbie Harry swagger for "Bang Bang."
*That was my inner critic teasing me.
OF COURSE, poetic injustice, “Single Ladies” bested Melanie’s “It Kills Me” for Best Female R&B Vocal Performance at the Grammys. What kills me is that the former, despite its goddamn stupid lyrics, actually is the better song, although Melanie is by far the superior artist. (Or even merely deserves the word.) Factory-farmed crap is sometimes tasty, I suppose.
“It Kills Me” is now making the radio rounds, and while she delivers the song with heart, I think Melanie's nature is more joyful than mournful. For a badboy lament, I’d sooner recommend Keyshia’s classic “I Should’ve Cheated.” And when you really need dark depths, put Amy on. Melanie is more suited to making the best of things.
Beware the evil temptress.
Cute real Melanie. Equally a threat.
Wednesday, January 27, 2010
Quotation for Wednesday
I got ice in my veins
Blood in my eyes
Hate in my heart
Love in my mind
I seen nights full of pain
Days of the same
You keep the sunshine
Save me the rain
I search but never find
Hurt but never cry
I work and forever try
But I’m cursed, so never mind
And it’s worse, but better times
Seem further and beyond
The top gets higher
The more that I climb
--my nominee for Poet Laureate, Lil Wayne
Tuesday, January 5, 2010
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