Thursday, October 13, 2011
Wednesday, August 24, 2011
Monday, August 1, 2011
The Soul-Soaked Ms. Winehouse

I came to properly appreciate her, though. How could I not, when Back to Black so uncannily resembled a gift granted me from Adonai above? You see, I was collecting tapes of the Supremes and the Shangri-Las back when the other little girls were on Tiffany and Debbie Gibson. Hearing that girl group sound from the quaveringly brassy vocal chords of a London Jewgirl with tattoos and rapper collaborators and British writing skills was almost more than I could bear. Amy was like a chimerical joint invention of my inner child and outer adult. (She even threw in some Specials covers to appease my inner teenager.)
I completed the first inevitable cycle from "Back to Black" to "Tears Dry On Their Own" feeling sheepish, struck by how perfectly Amy had provided a soundtrack for mourning her. Her work made it too easy for me. And that's the gift I think we undervalue.
We can cluck about drugs and fame, but there was a more essential, if ridiculably "tortured," artistic quality to Amy. Tearing your heart open and pouring the contents into music can be healing, but it also costs something. We took Amy's end product, whatever it cost, lapped it right up. At best we listened to what she sang and really heard her. (And I suspect being heard was the compensation she sought, not money or fame.) At worst we violated her privacy and made sordid junk food meals of her pain.
That thing we got from Amy--that elusive, potent magic--she put it there. Herein lies the demanding quintessential skill of an artist. Perhaps we cannot directly see or hear the result of the exercise of such skill. But we do experience it some way, and are drawn to that quality. Crying on the floor was a poignant meme for me because Amy made it so. She did the alchemical drudgery. I got to enjoy the pain-turned-beauty.
If you really have a heart and it really breaks, some faux-angsty song like Beyonce's "Irreplaceable" won't do shit for you. "Back to Black" or "Wake Up Alone" might. That is the difference.
Someone once said to me (when I was in fact dressed for Halloween as Amy) that he could be no fan of hers, since he only listens to 'real Soul.'
Wednesday, July 6, 2011
Letter to Game

Walk through the gates of HellSee my Impala parked in frontWith the high beams onMe and the devil sharing chronic bluntsListenin to the Chronic albumPlayin backwardsShootin at pictures a Don Imus for target practice

Wednesday, June 15, 2011
Laidupedness
I used to give a fuckNow I give a fuck less
Thursday, June 9, 2011
Fun Times With Chronic Pain, Part MCCXLII
STILL DOING my bid. Pain Prison, cell block 1722. Pain is not my constant experience. I get free from it sometimes and quiet it often. Rather, Pain is the bars and the guard. The walls seem penetrable, and I start telling myself that if I dared to walk through they'd give way. But what happens instead is I walk into a wall. Then Pain gets mad and I spend a day or two on lockdown.
Today I'm on lockdown, in bed, in a painstorm. The storms come less frequently now, and I had gone a record six days without one. Of course I was not without pain on those good days, but I could manage and be comfortable--so long as I didn't do anything wrong. In the concept of wrong Pain shows its capricious tyranny. Yesterday a walk and a stint in a reclined position turned out to be wrong.
This is where rope-a-dope pain management gets tricky. The initial strategy is clear: you feign surrender, let Pain think it's winning. So far so good. But like...you don't actually mean to give Pain the victory. And at some point along the fake surrender, perhaps when your muscles atrophy and your joints forget their parts and the nerve down your leg is so battered it goes haywire, making pain signals out of thin air, Pain does win. Can't have that. So the question is when and how to start punching back.
I try this or that: an exercise, a stretch, an activity. Maybe just moving about the house for twenty minutes. Sometimes I do these things and Pain is powerless to protest. Then I get a bit stronger, a bit more able. Other times I do these things and they open me up to a big fat punch. Then, like today, I stagger, curse myself and Pain both, hate being here, watch the painstorm pass, re-group, prepare for the next round.
Pain justifies the mixing of metaphors.
Tuesday, April 26, 2011
Dispatch from the Floor
TERRIBLY OFTEN when I tell people I have back problems, they’re like, Yeah me too. And then I can't say, No but mine are like super bad. I will tell you, though, dear reader: they are quite bad. Bad enough that I’ve landed on the floor, two months and counting, though I didn’t do anything much out of the ordinary.
In fact the strain upon my spine over the last decade has been far less than ordinary, since I make innumerable concessions to the tyrant Pain. I work part time and stretch at ballerina frequency. I am mindful of lifting and sitting and sneezing and carrying too much in my purse.
But nor am I Pain’s little bitch; I defy its rules when I think I can get away with it. And really, it was a pile-up of such sneaky infractions that landed me here, spine trained to the floor, with my mercifully tiny laptop atop a pillow on my stomach and my feet on the couch and an ice pack beneath me.
For the last few years Pain was the weaker contender, and I spit in its face, daring to do things I thought I might never get to do, like have a normal job, live by myself, take dance class, walk for miles. At the height of my triumph I wore some obscene heels.
I was a blithe, jubilant rat fattening myself on a windfall of spilled grain night after night, and Pain was a cat with a grin, crouching and watching. I’m being melodramatic, but nothing inspires it quite like Pain.
THERE IS A NERVE corridor originating at my sloppy L5-S1 spinal disc, the disc aptly if uncharmingly named for its location between the fifth lumbar and first sacral vertebrae. This corridor travels the length of my leg. Errant L5-S1 protrudes and the nerve gets agitated. Back in the day the S1 nerve path used to be the thing; now my main pain corridor is L5. (Both are pictured below.) The S1 path ends in the tendon and heel, which made me feel like an aching Achilles. L5 ends in the toes, which are often a-tingle.
The corridor is constantly abuzz. Be it with electric sharpshooters, splayed inflammation, dull ache. The sensations, and locations thereof, are ever changing, and sometimes I lie here and watch them, as malignant internal fireworks. The corridor may grow dark and quiet, but it always exists. Even at times when I have negligible pain, the corridor is active, alert, ready. My unaffected leg feels to have no corridor; such is the difference.
You may get frustrated, dear reader, when I tell you there is little more I can do for this than rest and let it get better. This smacks of medical slackerdom. But having done much time down the rabbithole of pills, treatments, hospitals, I can tell you with confidence that this is the truth. I had surgery ten years ago, to the day. So do me this one favor and don’t suggest anything for me to *try.* If you wish to offer something, I like food.
I just have to do the time. It is not fun, but it is a test of a sort, a strength challenge, and I dig those. It's like a marathon, only instead of training from normal human to superhuman capability, you train from jacked-up to normal. You battle the daily discouragements and the limits of your body and develop focus and stamina. And sometimes you give up and fall backwards, and watch streaming episodes of Basketball Wives. (I assume marathoners get discouraged and turn to Basketball Wives.)
Sometimes it is hard to believe that my spine is so dysfunctional. But I think of how other people have diabetes or lupus or herpes or dire allergies and it seems common for the body to have some failed function or other. It is the human body, after all, and quite remarkable. It is much more shocking to think of what it can do.
I EMPLOY a rope-a-dope pain management strategy. I lie here in apparent defeat and let Pain punch itself out until I am the stronger one.
I've had to adapt to long-term battle. Reading and writing are all I can accomplish, and sometimes I can accomplish nothing. I'm drinking pint smoothies and eating mini yogurts and frozen dinners, with a resultant abomination of plastic refuse that is hardly less objectionable than begging friends to do my dishes. Bowls are heavy to carry to bed and glasses are easily spilled down the chin when drinking lying down, so the plastics do win for now.
My personality adapts too, as you might have noticed if you know me as a pleasant person and are reading this thinking you would rather not visit such a grumpbitch after all. I don't laugh much, but I usually feel alright. It's just I have to be serious. I can't listen to music that gets me worked up or makes me want to bust even the smallest moves. No Nicki, no Weezy. I've been on Joan Baez and Iron & Wine. My earffirmative action campaign got a leg up.
And I'm in the hard situation of needing lots of Help. A friend remarked to me that it's too bad how in our society it is frowned upon to need Help. And that may be so, but I think needing Help sucks inherently, not just because of some social norms. There are as many kinds of Help as there are kinds of love or water. Help can be given loudly or quietly, generously or stingily, for free or for an implicit price; you can be made to feel it or allowed to accept it with ease. Given gracefully, it is a tremendous gift. But the position of need is a shit position, even so.
Pain is not all curses and grumbles. I grow by its trials and appreciate how it skims the bullshit off life's surface. Maybe I'll tell you about that some other time.
